part 1 nature and consciousness
harold bloom:the internalization of quest-romance
samuel h.monk:the sublime:burke's enquiry
owen barfield:symptom of iconoclasm
geoffrey h.hartman:romanticism and "anti-self-consciousness"
j.h.van den berg:the subject and his landscape
paul de man:international structure of the romantic image
w.k.wimsatt jr:the structure of romantic nature imagery
part 2 nature and revolution
m.h.abrams:english romanticism:the spirit of the age
northrop:the road of excess
aflred cobban:the revolt against the eighteenth century
part 3 nature and literary form
walter jackson bate:the english romantic compromise
josephine miles:the romantic mode
john hollander:romantic verse form and metrical contract
m.h.abrams:structure and style in the greater romantic lyric
part 4 the major poets
william blake
northrop frye:the keys to the gates
martin price:the standard of energy
william wordsworth
frederick a.pottle:the eye and the object in the poetry of wordsworth
geoffery h.hartman:the romance of nature and negative way
samuel taylor coleridge
humphry house:kubla khan,christabel and dejection
john keats
walter jackson bate:negative capability
george gordon,lord byron
alvin b.kernan:don juan:the perspective of satire
percy bysshe shelley
harold bloom:the unpastured sea:an introduction to shelley
biography
随便说点其他的。
刚到UK时听了一场关于william blake的讲座,是来自bath university的一个研究W.B的专家,她发现blake的诗非常受其母亲所信的宗教的影响,记不得怎么拼的了(音morovian,anyone who might know,plz help me out),而且blake的继父好像还是是那种宗教的从德国转移至英国的重要倡导者之一。而该宗教里的很多赞美诗与blake早期的诸多诗歌风格相似。
winter break前听了另一场讲座,是一个曾获得英国学术界某个研究奖的(i vagely remembered of some "shakespeare" title)中年妇女做的专题,比较拜伦和简奥斯汀,两人的narrative irony,一开始听得有点莫名其妙,怎么这两人都能比啊?后来渐渐听她引经据典,觉得又make sense了很多。体会之一:英国学者很骄傲的,自己国家盛产的几个著名重要作家,就是喜欢把他们颠来倒去地比较,文学嘛,至于有没有道理, 总能justify themselves的。
看了朵朵的资料你应该比我大哦,我生日是06/10/1984,听到别人叫我姐姐就很恐慌并谨慎,在reed(which is also the name of a popular bakery in my town)上经常看到一群中学生讨论诸如baudelaire,carson Mcullers,etc,觉得自己真是老了~~~
发一个我下学期romanticism sublime的synopsis
ENM07 The Romantic Sublime(Dr Steve Vine)
Learning Outcomes
Knowledge of the diverse representation of the sublime in romantic literature and aesthetics
Comprehension of aesthetic and political differences between versions of the sublime
Illustration of theoretical models of the sublime through literary examples
Analysis of the presentational limits of Romantic writing
Appraisal of recent critical versions of the Romantic sublime
Synopsis
1 Introductory
2 Sublime Aesthetics I: Burke
3 Sublime Aesthetics II: Kant
4 Sublime Imagination I: Wordsworth
5 Sublime Imagination II: Coleridge
6 The Material Sublime: Keats
7 Sublime Particulars: Blake
8 Sublime Confessions: De Quincey
9 The Sublime to Abjection: Wollstonecraft
10 Sublime Bodies: Mary Shelley
11 Sublime Disfigurations: Percy Shelley
Texts
Duncan Wu (ed.), Romanticism: an Anthology (1995)
Cynthia Chase (ed.), Romanticism (1994)
De Quincey, Confessions of an English Opium Eater
Wollstonecraft, Letters Written During a Short Residence in Sweden
Mary Shelley, Frankenstein作者: 寒鸦 时间: 2006-12-16 21:22
德语系系花,恭喜!!追求就算了,不过在学德语,倒是想认识下!作者: nightele 时间: 2006-12-22 14:26 标题: 回复 #4 Crystal_zyy 的帖子 carson Mcullers中板最喜欢了.....老是宣传......REED上小孩多且强啊~~~~作者: PhoenixChee 时间: 2010-2-10 19:40
哎 虽然我的动作是在挖坟 不过看到三年多前的贴子 还是感慨芦笛没有来错啊
我不是一个学文学专业的人,不过对于文学还是相当喜欢的
不能做出很有价值的言论,只能发表自己浅显的理解和感受
希望大家能够包容我的无知
也希望在这里可以给我在文学游弋给出一个参考性的导航
谢谢大家啦
其实我感觉芦笛的贴子没有挖坟之说
因为应该是愈久弥新,经久不衰的
因为讨论的文学本身就是永恒的